The past thirty years, the drawings of Anne-Mie Van Kerckhoven have formed the basis of an ambitious project exploring the relationship between gender, technology and representation. This exhibition revaluates the corpus of works in relation to her career and art, and places it in the perspective of the surrealist heritage, underground and comic books. The exhibition includes a chronological and thematic selection of approximately 300 drawings, a number of experimental works and the restored films which date from the beginning of her career. This confrontation shows the correlations between the psychodiagnostic drawings and the telegenic iconography of the films and other works.